The Image of God the Father in Orthodox Theology and Iconography: and Other Studies
Fr. Steven Bigham
drawings by Alain Vallée
These copies are slightly reduced in price due to some damage in shipment to us. (8/19/2024)
Publication Data: Torrance, CA: Oakwood Publications
Format: softcover
Number of Pages: xii + 260
Dimensions (l × w × h): 21.5 cm × 13.7 cm × 1.4 cm
Additional Information: black-and-white illustrations
ISBN: 1‒879038‒15‒3
Fr. Steven Bigham
drawings by Alain Vallée
“My interest in this particular subject resulted from a seemingly apparent contradiction, apparent at least to me: Church tradition clearly states that the Incarnation is the only basis on which a portrait of the invisible God can be painted, and yet ‘icons’ of the Father and the Trinity abound in Orthodox Churches, along with elaborate theological justifications. How is this possible, and how did this situation develop historically? The essay on the image of God the Father is an attempt to answer these and other questions. [...]I offer these studies to those who are interested in iconography and who want to deepen their understanding of this sublime art. [...]I hope thereby to contribute to a greater understanding of Orthodoxy’s ‘theology in color.’”
—“Preface”
CONTENTS
Preface
I. The Image of God the Father in Orthodox Theology and Iconography
1. Introduction
2. “Seeing God” in the Bible
Old Testament Texts about Seeing God
The Angel of the Lord
The Divine Energies
Direct Visions
Texts Against Seeing God
New Testament Texts About Seeing God
Conclusion About the Biblical Texts
3. “Seeing God” in the Fathers
4. The Iconoclastic Period
5. The Liturgical Witness
The Invisible Made Visible by the Incarnation
Christ the Word Made Known in the Old Testament
Christ “Seen” in Old Testament Visions
The Incarnation Fulfills Old Testament Signs and Figures
6. Three Russian Councils
The Stoglav Council of Moscow, 1551
The Council of Moscow, 1553–54
The Great Council of Moscow, 1666–67
7. The Western Attitude
8. The Evidence of Art History
9. Conclusion
10. Notes
II. Canons on Iconography
Notes
III. The Not-So-Penetrating Look
The Problem
Psychological Background
Doctrinal Background
The Problem Focused
Notes
IV. Death and Orthodox Iconography
Introduction
The Doctrine of Salvation
General Considerations
Specific Examples
Eastern and Western Art
Notes
V. Allegorical Personification in Orthodox Iconography
Introduction
The Pagan Background
The Christian Background
The Problem
The Canonical Tradition
Deformations
Notes
VI. Orthodox Iconography & the Non-Orthodox
Orthodox Iconography & the Non-Orthodox: Notes
VII. Iconography and St. Gregory Palamas
Introduction
The Doctrine of Essence and Energies
General Principles
Specifics
Conclusion
Notes
VIII. “Man as the Image of God” in St. Gregory of Nyssa and in Orthodox Iconography
Introduction
St. Gregory’s Doctrine of Man
Iconography
Critique of St. Gregory’s Position in the Light of Iconography
Conclusion
Notes
Bibliography
Sources of Illustrations
Format: softcover
Number of Pages: xii + 260
Dimensions (l × w × h): 21.5 cm × 13.7 cm × 1.4 cm
Additional Information: black-and-white illustrations
ISBN: 1‒879038‒15‒3
Fr. Steven Bigham
drawings by Alain Vallée
“My interest in this particular subject resulted from a seemingly apparent contradiction, apparent at least to me: Church tradition clearly states that the Incarnation is the only basis on which a portrait of the invisible God can be painted, and yet ‘icons’ of the Father and the Trinity abound in Orthodox Churches, along with elaborate theological justifications. How is this possible, and how did this situation develop historically? The essay on the image of God the Father is an attempt to answer these and other questions. [...]I offer these studies to those who are interested in iconography and who want to deepen their understanding of this sublime art. [...]I hope thereby to contribute to a greater understanding of Orthodoxy’s ‘theology in color.’”
—“Preface”
CONTENTS
Preface
I. The Image of God the Father in Orthodox Theology and Iconography
1. Introduction
2. “Seeing God” in the Bible
Old Testament Texts about Seeing God
The Angel of the Lord
The Divine Energies
Direct Visions
Texts Against Seeing God
New Testament Texts About Seeing God
Conclusion About the Biblical Texts
3. “Seeing God” in the Fathers
4. The Iconoclastic Period
5. The Liturgical Witness
The Invisible Made Visible by the Incarnation
Christ the Word Made Known in the Old Testament
Christ “Seen” in Old Testament Visions
The Incarnation Fulfills Old Testament Signs and Figures
6. Three Russian Councils
The Stoglav Council of Moscow, 1551
The Council of Moscow, 1553–54
The Great Council of Moscow, 1666–67
7. The Western Attitude
8. The Evidence of Art History
9. Conclusion
10. Notes
II. Canons on Iconography
Notes
III. The Not-So-Penetrating Look
The Problem
Psychological Background
Doctrinal Background
The Problem Focused
Notes
IV. Death and Orthodox Iconography
Introduction
The Doctrine of Salvation
General Considerations
Specific Examples
Eastern and Western Art
Notes
V. Allegorical Personification in Orthodox Iconography
Introduction
The Pagan Background
The Christian Background
The Problem
The Canonical Tradition
Deformations
Notes
VI. Orthodox Iconography & the Non-Orthodox
Orthodox Iconography & the Non-Orthodox: Notes
VII. Iconography and St. Gregory Palamas
Introduction
The Doctrine of Essence and Energies
General Principles
Specifics
Conclusion
Notes
VIII. “Man as the Image of God” in St. Gregory of Nyssa and in Orthodox Iconography
Introduction
St. Gregory’s Doctrine of Man
Iconography
Critique of St. Gregory’s Position in the Light of Iconography
Conclusion
Notes
Bibliography
Sources of Illustrations
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